Showing Records: 101 - 120 of 313
Cover art proposals for trade publications of plays: States of Shock, Far North, and Silent Tongue
Cover art proposals and galleys for compilations of Shepard’s work published by Vintage and Bantam comprise this series.
Cowboy Poetry reading which included "Pecos Bill" by Shepard, among 25 poems by others. Performing Group later known as "Green River Ropin' and Recitin' Preservation Society." Correspondence and photocopies of poems, 1993
This series is comprised of Shepard’s notes, correspondence and annotated photocopies of excerpts of his work read at various events. Arranged in chronological order by the event’s date.
Curse of the Starving Class (1977)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Czech publicity materials
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Dash and Lilly (1998)
Draft of stories titled Volador and letter to LuAnn Walther at Random House Publishers, June 13, 1989
Draft of stories titled Volador and letter to LuAnn Walther at Random House Publishers. Story titles include: “The Real Gabby Hayes, Nuevo Mundo, Cruising Paradise, Wild to the Wild, A Small Circle of Friends, Thin Skin, Lily and the Judge, More Urgent Emergencies, The Devouring Lion, Falling Without End, Homage to Celine, Gary Cooper on the Landscape, The Self-Made Man, Hail from Nowhere, Synthetic Pink, Temporary Entrance, Papantla, See You In My Dreams (1 original, 1 photocopy), [1989] undated
Draft titled with photocopied photographs. Also titled “Slave of the Camera (an actor’s notes)“, July 1990
Drafts of stories and letter from LuAnn Walther at Random House Publishers inviting Shepard to submit a collection of short stories for publication
Dramatists Play Service publication, 1992
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Dust jackets for Knopf publication, undated
Editing, continuity, location, and extras notes, undated
Eyes for Consuela (1998)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Far North (1988)
Film contract, January 1990
Film guide from Sundance Film Festival featuring Silent Tongue, 1993
Films, 1982-1998
Films in which Shepard performed, 1989-1998
Films written by Shepard, 1982-1992
Final corrected version, November 1994
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
